Monday 26 March 2012

Task 5 - The Gaze

‘according to usage and conventions which are at last being questioned but have by no means been overcome - men act and women appear. Men look at women. Women watch themselves being looked at’ (Berger 1972, 45, 47)­­


Throughout history, men have been noted as the dominant sex, in almost every culture and at almost every stage of development. Even in the world of art, until very recently, it was male dominated.
Women have always been objectified; almost all nudes in fine art throughout history have been female, painted for rich men to admire. Although today the story is very similar, there is a feeling that women, in art and advertising are becoming more dominant.
This first image, the Birth of Venus, painted by Alexandre Cabanel in 1863 is a perfect example of the female nude seen throughout history. Lying backwards with her hands above her head, like a damsel in distress, her pose is incredibly submissive. Cherubs surrounding her add to the fantastical element of the painting, men can look upon her in a way that she would never be viewed in reality.
Historically the female has been submissive and is not entirely present in the act of being viewed. For example in the Birth of Venus, her gaze is everted from the viewer, implying she is there only to be looked upon and will not look back upon you. However contemporary advertising puts women in a much more dominant position in this process of being viewed.
The Lynx advert above shows the woman scantily clad, looking directly at the viewer. She is much more a part of this process of being gazed upon and she is fully aware of it.  Her stance suggests dominance within the ad and her lack of clothing suggests confidence.
This change in the gaze, may only be slight and advertising and art is still very much based around the female model, however women now appear to have power over men as opposed to the other way round. They control the advertising with their gaze upon the viewer. The objectification of women has never changed, however the use of the gaze has.

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